Posts tagged mettowee valley
Stone Clouds Materialized

The shape of a project is pointy at opposite ends and lumpy in the middle. The spark that starts things off may be as quick and simple as seeing a cornstalk-stubbled field sprinkled with the till of a bygone glacier, and thinking, “What would it take to put those stones back up into the sky from whence they fell?” In between that thought and standing under Stone Clouds at Shelburne Museum yesterday was a year-long ride’s worth of lumps and bumps. The unknown is an uneven landscape. Highs are best employed to gain speed for the roll up out of the lows ahead. Uncertainty provides its own propulsion.

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Stone Clouds

“Permanent” is one adjective I associate with my dry stone constructions. When I was asked to make a temporary installation on the grounds of the Shelburne Museum for the upcoming “Eyes on the Land” exhibition, some very different affiliations sprang to mind. And so, as I became acquainted with the Vermont Land Trust properties in the Mettawee Valley that I was partnered with for the show, I sought out examples of land formation and land use that might be described as “short term”.

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Stone Clouds Forming

Every year, the plow turns up more stones in Ken Leach’s cornfield. It appears they’ve floated up through the rich Mettawee Valley soil from below the surface when in fact they’ve floated down upon the face of the earth from far above. There were once great clouds of ice between earth and sky. Ken’s stones were tucked into mile-high blankets of frozen water vapor. They’d been plucked from the even taller mountains that used to reign here, and carried in alluvial fans out across glaciers that were thousands of years in the making and thousands of years in the melting. When the land that is now a Vermont Land Trust protected property said goodbye to its last glacier, twelve thousand years ago, all the sediment and rock that was riding its coattails settled to the ground, creating the dark soil that farmers like for growing corn, plus, an unwelcome bounty of stones.

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Vermont Arts Council Award

Fifty years ago I won a blue ribbon in the Brattleboro Sidewalk Art Show. Thirty years ago I won a National Endowment for the Arts award for designing a local amphitheatre. This week I received a Creation Grant from the Vermont Arts Council. Some might say, the awards in my artistic career have been few and far between. I believe their rarity makes them all the more precious. Being recognized by my beloved green mountain state is especially dear.

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