Posts tagged sculpture
Art in the Balance

To be in touch and in tune with nature has a centering effect on us. Couple the outdoors with a creative pursuit, and engagement with both is enriched because together they sharpen and heighten our spatial orientation. My environmental art piece Fantasy Topography seeks to bring pleasure to the core.

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A Stone Livestock Pound

What was the first public structure built to safeguard harmony in early agricultural communities? Who were the hog reeves and why were they sometimes recently married, young men? What did impecunious pound-brechers do to deserve 30 lashes? These questions and more will be answered during a program I’ll be giving at the Dummerston Historical Society’s quarterly meeting Thursday July 18th at 7:30 pm. I hope you’ll join me for an evening exploring the history of Dummerston’s town pound and take a walk around the dry stone pound, erected ten years ago, next to the Historical Society building.

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Length In: Developing a Frame of Mind in Dry Stone Walling

A belief set in the mind of many beginner dry stone wallers is that a wall is what it looks like on the outside, when it actually is what is not seen, on the inside. To accept a wall stone at face value is to believe that what shows is most of what that stone is, but in a well built wall, most is concealed, securely trapped inside the construction.

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Self-Archeology in a Stone Environment

The most enjoyable takeaway from examining a wall that has remained true is a validation of the beliefs held while bringing it into being. Dry stone walling is about action in the moment but the results take a while to be proven out. The labor of building is lightened by seeing how honest effort ultimately endures.

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Rocky Toppers

The studio has been filling up with rocky toppers this winter. The half-products are elements in a sculpture to be installed as part of a new outdoor exhibition at Shelburne Museum. The uniquely shaped objects will be arranged atop berms of loose stone. The completed piece will sprawl across the floor of a pine forest, flowing between and around the tree trunks.

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Rocking Back, and Forth

Nothing begins without looking back, so, to get 2019 started, I’m taking stock of 2018’s doings.
Thanks for following along. Now, let’s get this new year rockin!


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Stone Puzzling

A stone wall builder creates the puzzle as they complete it. The way each piece is picked and positioned answers an immediate question and offers up a new one. Every choice invites another. Action in the moment reduces the work ahead while increasing the choices to be made. Though the labor is demanding, it’s tempered by the gifts brought by doing it. Many small satisfactions weld themselves into the gratification of a desire to complete the picture of a stone wall settled into its place on the land.

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Dowsing for Genesis

Basically, wallers are spare-parts jobbers. The loose pieces of indigenous stone they collect and parcel out are really nothing more than the duft of earth’s crowning mantle. In rare cases, bedrock, stone’s “birthmother”, is present on a building site and can come into play as a defining element of a dry stone design.

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Mother Earth Asks Dr. Stonework

Having landscaping and stonework done can be a geophysical boost to Earth’s well being in the long run but it’s not without short-term costs. Before the shovel goes in, here are some FAQs for a planet considering a surgical procedure.

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Going Public

Navigating the process of a public art proposal feels like a long walk by flashlight through a snowstorm. Signs are unclear and paths become obscure along the way. Because the destination is not a geographically fixed point, there remain, at the conclusion of an artist’s unsuccessful bid to win a competition, questions about where they traveled, and why the trip dead-ended.

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Writing and Reading

This past Wednesday I did a reading at the Aldrich, Barre Vermont’s public library, a beautiful old edifice that well serves its modern patrons. Excerpts from my three published books were assembled under five themes and read from newest to oldest. Audience members remained in their seats for a full hour! The after-questions were intelligent and sincere. I’m grateful to all who came to listen and converse.

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Slate Bauble

Upon completion, the Bauble perched on its temporary base in the sugarhouse woodshed for three months while the adhesive that held it together cured.

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Dry Stone Art in Nature

Longevity self-validates. Just to have lasted decades in an occupation brings with it a certain degree of credibility. A reputation develops around what’s been done. The integrity of the stoneworker lies in their accumulated projects.

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The Solitary Stoneworker

Conditions being what they were of late with snow storm after snow storm, I stayed away from the stone project in-progress and gave myself a propertyless assignment. The premise was to compile a collection of photos that illustrate the work life of a solitary stoneworker; with myself as the subject and past projects as the source material.

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2017 Stone Projects and Art Travels

The 2017 work year was a variety-pack of projects and travels bringing rocks and people together. Projects from 2017 now lie nestled in snow, while projects for 2018 are already underway.

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Diamond Mines

Environmental artworks in the public domain can quickly fall into the realm of personal legend. One of the best qualities of art in the outdoors is its ability to be endlessly personalized. Each new viewer makes it their own and every return visitor reestablishes their claim to it.

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Art Above the Arctic

A week on Sørvær in Northern Norway kept me immersed in the land and enveloped by the sea. The atmosphere of this island among islands is reigned by the sky above and waters below. Combined, they create an undeniably powerful influence. My moods changed at the whim of the weather. Even though I’ve spent my adult life working outdoors I’m unconditioned to the reality of light reflected from a vast and shifting water surface, or, tides streaming in and out all around. Grasping the totality of the archipelago's grand and sweeping vistas was a heady experience.

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Granite Jenga

What could be a more direct expression of form than molding earth in one’s hands? While the modes of earth shaping may vary, the impulse is ages old and remains strong as ever. My personal choice for satisfying the desire for hands-on interpretation of the earthly elements is the manipulation and configuration of loose stone. Within that narrow frame a wide variety of creative endeavors can be manifest.

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