Conditions being what they were of late with snow storm after snow storm, I stayed away from the stone project in-progress and gave myself a propertyless assignment. The premise was to compile a collection of photos that illustrate the work life of a solitary stoneworker; with myself as the subject and past projects as the source material.
Read MoreThe 2017 work year was a variety-pack of projects and travels bringing rocks and people together. Projects from 2017 now lie nestled in snow, while projects for 2018 are already underway.
Read MoreA family is held together by those things that their members share with each other. The “giving away” increases the closeness between individuals and tightens the family bonds. Mutual respect grows when a balance of give and take circulates within the tribe.
Read MoreFree stone construction is a practice of seeking. The contents of a pile of loose stone is just waiting to be found out. Everything needed to create a sturdy structure is there. The possibilities are discovered as they’re uncovered, then explored and exploited, one after another. Moment by moment, movement by movement, stones topple into place. Their size, shape and center of gravity are predetermined by the natural forces that made them, but their status in a construction relies on an instant, reflexive response to their stature by the builder.
Read MoreWhen they bought the old farmhouse in the early eighties the town road passed within eight feet of the front door. Robin and David Key were willing to overlook that serious drawback because they were in love with the ancient apple trees, the gurgling brook and the wealth of wildlife on the property. All of that was outside the back door just beyond a precipitous drop in the landscape. The retaining wall I would soon build to create a level backyard was the first in a series of dry stone projects we took on together over the following thirty years.
Read MoreA fourth generation of the Key family has begun to ramble Winhall Hollow. Pond and stream, woods and fields, are the wider setting for their active home and garden life. Into the mix comes long-time friend and dry stone specialist, Dan Snow. He has constructed numerous stone features on the grounds around their house and barns. Stone from the property has been used to fashion steps, patios, retaining walls and fences. Robin Key’s landscape design has seamlessly woven a contemporary aesthetic into the historic fabric of the Hollow.
Read MoreEven without the silhouette of a crosswalking pedestrian or leaping deer, road signs with a triangular outline convey a message of caution; warning the traveler to be aware of what lies ahead. The sharp angles draw attention because they represent sudden change. Survival of the human species has depended on the ability of individuals to recognize signs of change and to adapt quickly to new situations.
Read MoreEnvironmental art serves a wider community. It can prosper plants and animals as well as humans. Art making in nature stirs the pot of local ingredients, recombining elements in ways previously untested. Wild things are opportunists; it’s programed into their DNA for survival. When something new appears in the landscape, ecologies respond. An environmental art work is breeding ground for creative adaptation. Its ultimate use is left up to the invention of its inhabitants.
Read MoreMy classmate, Hass, and I were standing on a rooftop on the lower west side of Manhattan watching a dance performance taking place in a vacant lot across the street when he nudged me and whispered, “That’s Robert Smithson.” The tall guy to my left at the parapet, in a cowboy hat and black trench coat, was solemnly staring down at the ground, along with a couple dozen other bohemes of the downtown art scene who had climbed four flights of rickety stairs in a derelict, cheese warehouse to view the show.
Read MoreExcavation of the hillside spring revealed layers of geologic stratification. Top soil lay on coarse gravel over pure sand on top of clay hardpan. The design called for ground water that trickled out of the sand layer to be trapped in a hollow under a half-shell overhang. Recycled slate from building foundation ruins and cobbles from a gravel pit were combined to shape the dry stone installation.
Read MoreUnderstandably, the present strives toward the future, but there’s nothing to say we can’t, from time to time, turn around and walk backwards into it. In that way, momentum can be maintained while gazing back, with love and affection, on those who have come before. They might appreciate it, and our steps may be lightened by the expanded outlook on our place in time.
Read MoreThe design and layout of Fire Circle Square highlights quartz boulders by turning a collection of them into a fireplace and four adjacent perches. After positioning the stones, I carved depressions into them to create smooth sitting places. The fireplace stones were also cut, ground and polished, and then assembled into a plinth to hold a steel fire bowl. Between the plinth and seats I laid a floor with flagstone from a local quarry. The location of the piece was chosen to take advantage of a preexisting wall corner and a western overlook facing the mountain-ridged horizon.
Read MoreI can only imagine the pride a 19th century homesteader might have had, on the completion of a hand-dug, stone-lined water well. The clear, cold water contained in it would have been an essential ingredient for any hill farm’s success. Some old wells are still in use today at venerable New England homes, while other 30 foot deep examples of the well digger’s art may be found next to abandoned cellar holes in the backwoods. Although underground and out of sight, such a towering achievement deserved to be crowned, and many were, with a beautiful stone well cover. The cover helped keep the well from contamination, and children and livestock safe from falling in.
Read MoreDuring the month of May, a 22 meter long sculpture surfaced on the quad at Landmark College in Putney, Vermont. The dorsal fin of the granite and earth construction rises 2 meters above the MacFarlane Science, Technology & Innovation Center lawn. Once the cover plants are established on the earthen swells of the shark body, the piece will become an inviting land feature for students and faculty to congregate for outdoor classes and conversation.
Read MoreThe past few weeks I’ve tossed my lot in making changes on a New Hampshire hilltop. It wasn’t the first time a collection of stones there was strung across the high mowing. Someone came in the 19th century and flung up a wall, divining meaning from the random arrangement of stones as they fell into place. And then it was my turn to interpret the stones. The old, sunken wall line coughed up bucketful after excavator bucketful of fieldstone. After spreading the stones out on the frozen ground so I could get a good look at the variety of shapes and sizes, I chose a fair form for re-assemblage.
Read MoreWith a strong northwesterly wind whipping “snownados” up from the frosty ground outside, I’m in the studio devising hypotheticals for an unfrozen future. There’s time enough for a wonderland of “what ifs” to decorate the internal landscape when the porch thermometer reads 5 degrees Fahrenheit. Most are just a smokeless pipe dream, but sometimes an idea takes hold and won’t let go until it attains some semblance of reality. Nothing is real to me unless it achieves three-dimensionality. Even at ¼”-1’ scale, a concept materialized in modeling clay is enough to make me a believer.
Read MoreAs solid as land art is, it’s capable of absorbing an unlimited amount of meaning. Each viewer brings a unique perspective and adds a bit of their own story to the experience of the work. The memory of the work that they go away with is a blend of what they brought and what they discovered while there. The meaning of the work is modified by every viewer. Over time, with many viewings, that adds up to a hefty load of ephemeral meanings, none of which physically impact the land art. It stays the same as its meaning changes.
Read MoreWalling puts stone in relationship to gravity as much, or perhaps more, than it puts stone in relationship to stone. In walling, stone is the language through which we speak to gravity. Students open a dialogue with gravity when they place a stone. With time and practice they begin to direct that conversation.
Read More
