Posts in Stone
Woodland Farms Garden Conservancy Open Days

The prospect was uninviting. Could I build a stone disguise for an electrical transformer? The call came at a busy time late in the last century. I advised the caller to check back again in a year. One year later, to the day, I received a second call from Rick and Susan Richter. The request for a short wall around the transformer was still on the table but they had a few other items they were interested in having me build for them on their Springfield, Vermont property. A dry stone fence around the fruit and vegetable garden was now at the top of their to-do list. Thus began my ten year working relationship, and continuing friendship, with Susan and Rick.

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English Harbour Arts Centre Stone Art Workshop

The English Harbour fog machine has been churning out invisibility for a solid 24 hours. Before I arrived here a week ago the southwest wind that funnels moisture off Trinity Bay into the land bowl above the harbor had kept the village cloaked in a cotton wool shroud for fourteen days. Fortunately, the recently concluded environmental art workshop maintained blue skies above for each and every one of its five days. There were long-distance views in every direction from the headlands where the six participants worked on their dry stone installation.

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Woody Point Dry Stone Walling Workshop

The creation of a low, curving wall that leads the way up a hill to the newly restored St. Patrick’s church will be the goal of a dry stone walling workshop, July 19-20, in Woody Point, Newfoundland. Ken Tuach, a Level 3 DSWA craftsman, has asked me to join him in presenting the workshop to area stone enthusiasts. This two-day workshop will offer a challenge to beginners and improvers, alike. Workshop participants will be building a short retaining wall on a gentle slope. With a low student-teacher ratio, participants will learn the best practices and techniques for dry stone walling.

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Environmental Art & Dry Stone Walling Workshop Newfoundland Summer 2014

The purpose of the workshop is to discover terrestrial habitats, artifacts, microcosms and vistas that excite curiosity and wonder about a place, identify existing order and disorder for the purpose of exploring ways art can be an evolutionary partner with the environment, and to seek out conditions conducive to the development of creative interrelationships with the natural world. The workshop will take a hands-on approach to making art that springs from, and is absorbed by, its surroundings.
DATE: Sunday July 27 - Thursday July 31, 2014. Participants interested in a 2-day workshop, are welcome to join in on the Wednesday/Thursday of the 5-day workshop.
LOCATION: English Harbour Arts Centre, Trinity Bay, Newfoundland, Canada.

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Center Cemetery Columbarium Wall: Crushed Stone Foundation

Between workshop instructing, DSWA examining and rainy days I’ve managed to get the crushed stone foundation in for the Center Cemetery columbarium wall. Stone piles have been dismantled at the town garage stockyard site and stone reloaded on a one-ton truck for transport into the cemetery. Next week will see guide frames set and the building begun on the 165’ long wall.

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Mending Pasture Fences

The mending of old dry stone walls lies at the heart of the walling trade. It’s often where the beginner waller cuts his or her teeth in the craft. An old wall is a lesson book waiting to be opened. It teaches correct methods of construction by example, and offers many cautionary tales with full-color illustrations. Chapter by chapter, the story of a derelict wall section unfolds in reverse as it’s dismantled.

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Time by the Seasons

At daybreak on March 7th Mount Monadnock appears on the horizon in bold silhouette.  Soon after, the sun’s corona sets the mountain top ablaze. On only two days a year am I able to witness this phenomena from my home. The next time will be in October as the sun inches south along the horizon line past its date with the autumnal equinox. The speed of the sun’s rising and the intensity of it burning is shocking when viewed against Monadnock’s dark outline. I feel like I’m witnessing a cataclysmic event when the fringe of sky above the mountain erupts in a dome of molten yellow light. For an instant, I’m overtaken by the primordial fear that my earth is being consumed by fire. Soon after, the sun’s benevolent form reestablishes itself and takes its familiar place in the morning sky.

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Mystery Stone Pile

At the top of the frame is a pile of stone. Behind it are two hexagonal stone posts, and behind them, street curbing. The details of the posts and curbing suggest that the photo location was an established urban setting. It’s curious that the photographer intentionally placed his subject in front of a pile of stone, and not before the more formal backdrop that was available. The stone pile looks to be recently deposited due to the lack of vegetation that would otherwise be sprouting along its edges. The pile displays two types of clean stone; rubble and dressed blocks. The rubble may be the spoils from the production of the blocks but the casualness in the way the blocks are arranged makes it appear that they were dumped there and not produced at that exact location. To my builder’s eye, the stone pile looks like ready stock for a construction.

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Time Tested Wall

Twenty years after Van de Water’s death in 1968 I was asked, by the new owners of the property, to build a stone wall there. I gathered and moved enough loose stone from fieldstone dumps on the farmstead to fashion an 80’ length of decorative fence. The innovation I employed for the project was to erect convex batter frames to create wall faces with curved slopes. Twenty-seven years later, visiting the wall for the first time since it was built, I see that it has held up well. My idea to splay out the foundation stones turned out to be a good trick for stabilizing the structure in the long term. Time is the test of dry stone work. Wallers build with the faith that their skill in the craft will see the work through. I’m heartened when I see ancient stoneworks still standing tall and I’m proud of those I’ve built that continue the tradition.

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Two Presentations: Sourcing Stone for Dry Stone Constructions

The subject of both talks focused on three questions: What makes sturdy dry stone constructions? Where does stone come from? Where do designs come from? In the second question, I pressed the point of seeking out alternatives to what has become the most common go-to place for stone procurement: The Home and Garden Center. I encouraged audience members to investigate six potential local resources: reclaim and reuse, quarry grout, farm dumps, gravel pits, scarified ground and loose bedrock. I suggested that by hunting for the treasures that may be laying just out of sight on the fringes of mainstream retail commerce they can reduce global environmental impact, construct works that are naturally compatible with their surroundings and keep their dollars circulating in the local economy.

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Koli Environmental Art Workshop

The second time I was invited to teach in Finland, the environmental art class was part of a seminar in Koli National Park. The theme for the Sixth International Conference on Environmental Aesthetics was “Stone.” Presentations were made by a Swiss geologist, a Japanese dry-garden builder and a modern dance troupe that performed at a soapstone quarry. Besides presenting a slide talk at the conference I had a group of university students for the week to make environmental art in the Finnish countryside. My description (below) of one of their projects will be included in Site or Place.

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Free Stone

Working with “free stone” offers freedom from and freedom to. The basic rules of dry stone walling, as outlined by the DSWA, are simple and effective. When they’re applied, at home, for a client, in a workshop or during certification testing, no second-guessing is required. The path forward is clear if not always straight. To a large degree, the rules create freedom from uncertainty.

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Rebuilding a Dry Stone Globe

The stone globe I built in 1983 had become timeworn. The hollow construction cracked open under the strain of carrying its own heft for thirty years. Barbara and Ernie commissioned the original. Their daughter, Nicole, asked me to bring it back to its former glory. In the intervening years I’ve laid up hundreds of dry stone constructions. I like to think I’ve learned a new thing or two along the way. The process of rebuilding the ball taught me that I both have, and haven’t.

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Inflatable Stones

While I was in Newfoundland, ET, John, Andy, and the rest of the crew were making a full size mockup of the three-stone piece that will soon be installed on Hogpen Hill. The “inflatable stones,” as ET refers to them, are made from steel frames sheathed in plastic shrink-wrap. Yesterday the mockup took flight, with the aid of the excavator bucket, around the field seeking a site for the permanent installation.

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Repairing a Dry Stone Retaining Wall

Due to a number of structural problems, an eight-year-old, dry stone retaining wall in Hanover, New Hampshire was dangerously close to collapsing. I was asked by the property owner to remedy the situation. The rebuilding of a 6’x30’ section of retaining wall is often a straightforward business. But because this wall was in a well established, backyard garden with poor access and little room to store materials at the site, the build was a logistical puzzle. Concern was added to those challenges when, as work commenced, a municipal sewer line was discovered to be located scarily close to the back of the wall.

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Working Stone

Two days worth of indoor stone slinging last week completed the central stone feature at the Vermont Flower Show. Jared, T.J., Jamie, Brian and I finished up “Craggy Mountain” just as the trees, mulch and flowers closed in around us. On Friday I offered my slide-talk, “Working Stone,” to a standing-room-only crowd. The following words were part of the presentation’s introduction.

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