Building the Ruminator

In the beginning the idea was to make it a solitary object out in the field north of the garden. I had visions of a compost carousel with four pie-shaped stalls. Then it was a long barrow-shaped affair with tractor ramps to the top of the bins. I knew little about composting but I was having lots of fun with modeling clay imagining the construction of a dry stone Ruminator. Scale model making is an enjoyable pursuit that helps develop spatial acuity. The process of shaping clay is slow enough for deliberation to take place and fast enough for a form to observably emerge. Results unfold in an organic fashion.

Swept up in Stone

The autumn 2014 issue of Garden Design magazine is a beauty to behold. In its newly re-conceived subscription-only, advertisement-free format, the magazine is like a coffee table book with sumptuous photographs on every page. My thanks go out to the Garden Design staff for including my work alongside that of many talented artisans, to Lindsey for a clear and compelling article, and to Gemma and Andy for the truly splendid photography.

A Week with Eblacker & Stone

Between two wildflower meadows, in a glade of hardwoods, Chuck has designed a personal park for his clients. Crescent shaped seating walls will cascade toward a circular folly. The turret-like construction will have a doorway and windows framed in recycled architectural stone. The bulk of the building will be realized in reused, sandstone wall stone and granite boulders found on site.

Woodland Farms Garden Conservancy Open Days

The prospect was uninviting. Could I build a stone disguise for an electrical transformer? The call came at a busy time late in the last century. I advised the caller to check back again in a year. One year later, to the day, I received a second call from Rick and Susan Richter. The request for a short wall around the transformer was still on the table but they had a few other items they were interested in having me build for them on their Springfield, Vermont property. A dry stone fence around the fruit and vegetable garden was now at the top of their to-do list. Thus began my ten year working relationship, and continuing friendship, with Susan and Rick.

English Harbour Arts Centre Stone Art Workshop

The English Harbour fog machine has been churning out invisibility for a solid 24 hours. Before I arrived here a week ago the southwest wind that funnels moisture off Trinity Bay into the land bowl above the harbor had kept the village cloaked in a cotton wool shroud for fourteen days. Fortunately, the recently concluded environmental art workshop maintained blue skies above for each and every one of its five days. There were long-distance views in every direction from the headlands where the six participants worked on their dry stone installation.

Woody Point Workshop

Last evening the atmosphere softened to dusty rose across the far horizon. An osprey wheeled its way around the shoreline heading across Green Bay toward an incandescent object rising from the shimmering surface of the sea. Two hours earlier, I was at Ken Tuach’s stone yard wrapping up a day of DSWA examination. E and I then made a mad dash from western Newfoundland to the Baie Verte Peninsula just in time to glimpse the majestic iceberg across the water before the darkness descended.

Columbarium Completed

Two month ago I laid the first stone for the new Columbarium at Center Cemetery in Norfolk, Connecticut. Since then I’ve been working long hours, four or five days a week shifting, lifting and setting 100 tons of stone.

Materials used in the construction were sourced from five locations. Besides 1 ½” crushed stone for the base, I used tailings from a Vermont slate quarry for shim stock, 3”-5” local riprap for hearting, split-face stone from Quimby Mountain Quarry, field stone from on-site, and stone gathered from a natural rock slide in Vermont for wall face and top stones. To keep the work flowing smoothly it helped to have a full complement of shapes and sizes at every phase of the construction.

Woody Point Dry Stone Walling Workshop

The creation of a low, curving wall that leads the way up a hill to the newly restored St. Patrick’s church will be the goal of a dry stone walling workshop, July 19-20, in Woody Point, Newfoundland. Ken Tuach, a Level 3 DSWA craftsman, has asked me to join him in presenting the workshop to area stone enthusiasts. This two-day workshop will offer a challenge to beginners and improvers, alike. Workshop participants will be building a short retaining wall on a gentle slope. With a low student-teacher ratio, participants will learn the best practices and techniques for dry stone walling.

Columbarium Wall: Half-Topped

While my work days have been spent in solitary seclusion, my evenings have been quite sociable. The town of Norfolk hosts Yale University’s special summer art program, located on the Stoeckel estate. Selected colleges from across the country and the world are invited to nominate candidates, enrolled as juniors, for fellowships in the six-week program. Sam Messer, the program director, visited the worksite and invited me to join the group for meals, lectures and figure drawing. It’s been over forty years since I held a charcoal stick in Audrey Flack’s drawing class at Pratt Institute. It was great fun to try my hand at it, again.

Long Train to Columbarium

The Connecticut columbarium wall work is out of the ground and on its way up. Since the last post, I’ve laid the foundation stones and brought the two ends to finished height. The list of ingredients grows as I discover additional stone sources. Starting with ledge scree I collected in Vermont, I’ve added fieldstone from dump piles near the cemetery, modified rip-rap from a local quarry and slate tailings from a Vermont gravel pit. Having a full complement of stone shapes and sizes keeps progress flowing smoothly.

Center Cemetery Columbarium Wall: Crushed Stone Foundation

Between workshop instructing, DSWA examining and rainy days I’ve managed to get the crushed stone foundation in for the Center Cemetery columbarium wall. Stone piles have been dismantled at the town garage stockyard site and stone reloaded on a one-ton truck for transport into the cemetery. Next week will see guide frames set and the building begun on the 165’ long wall.

Test Day at the Stone Trust in Vermont

Monday was all business at the Stone Trust center. Eleven candidates for Dry Stone Walling Association of Great Britain certificates put their heads down and applied themselves to the task of walling. The seven hour test required stripping out and rebuilding sections of 5’ high free-standing and retaining wall. Most candidates were successful in achieving the level of certification they were striving for.

Dry Stone WallingDan SnowMay 18, 2014dry stone walling, dswa, dswa test day, featured, the stone trust

A Columbarium Wall

Soon, I will begin construction on a columbarium in a western Connecticut cemetery. The term columbarium is derived from the Latin columba, meaning dove. So, what do doves have to do with laying the departed to rest? Traditionally, a columbarium is a sepulchral structure with recesses in the walls to receive the ashes of the dead. The walls of cathedrals often have columbaria. But, prehistorically, those recesses were simply hollows in a cliff face, hollows sometimes shared by nesting doves. Thus, the dove became a symbol of love and peace. In the case of columbaria, the dove represents resting in peace.

Mending Pasture Fences

The mending of old dry stone walls lies at the heart of the walling trade. It’s often where the beginner waller cuts his or her teeth in the craft. An old wall is a lesson book waiting to be opened. It teaches correct methods of construction by example, and offers many cautionary tales with full-color illustrations. Chapter by chapter, the story of a derelict wall section unfolds in reverse as it’s dismantled.

Time Tested Wall

Twenty years after Van de Water’s death in 1968 I was asked, by the new owners of the property, to build a stone wall there. I gathered and moved enough loose stone from fieldstone dumps on the farmstead to fashion an 80’ length of decorative fence. The innovation I employed for the project was to erect convex batter frames to create wall faces with curved slopes. Twenty-seven years later, visiting the wall for the first time since it was built, I see that it has held up well. My idea to splay out the foundation stones turned out to be a good trick for stabilizing the structure in the long term. Time is the test of dry stone work. Wallers build with the faith that their skill in the craft will see the work through. I’m heartened when I see ancient stoneworks still standing tall and I’m proud of those I’ve built that continue the tradition.

Dry Stone Walling, StoneDan SnowFebruary 7, 2014dry stone wall, dry stone walling, featured, stone, wall

Built to Last: Dry Stone Design and Construction

In my presentation, I will offer a prescription for getting the most out of your building stone resources, and for performing field observations of existing dry stone structures with the aid of four key points for solid construction. The scope of the talk will range from practical advice on managing a building site to imaginative suggestions for creating stone-centric designs. The blending of greenscaping with grayscaping to foster ecological relationships, and echo historical patterns of land use, will be discussed in the session. I will offer ideas for addressing landscape erosion control issues with durable, sustainable dry stone structures.

Stone Steps and Stairs

Is there a difference between a step and a stair? After looking up both words in the dictionary, I’m still wondering because a step is defined as one of a series of structures consisting of a riser and tread, and a stair is considered the height of a single step in a flight of stairs.

Dry Stone, Dry Stone WallingDan SnowNovember 1, 2013dry stone walling, featured, stairs, steps, stone, stone stairs, stone steps

Stone Arch Arbor

The desire to commemorate a life in passing is a deeply held impulse. To create something new is a natural response to the experience of loss. The “Stone Arch Arbor” commission combines a family’s wish to remember a loved one and make a gift to his community.